I had a farm in Africa*. No, sorry, that is someone else’s story. I had a garden in Africa. And thus, I also had a gardener in Africa.
I inherited Potiphar with the house I bought in a small diamond mining village. The house had been standing empty for years and Potiphar was staying in the single-roomed dwelling in the backyard, a common enough arrangement in the old South Africa, where housemaids or gardeners often stayed on site.
Potiphar was a Malawian, about eighty years old and as such not quite what I had in mind as an employable labourer, but I did not have the heart to evict him. Fortunately he did not stay very long before returning to Malawi and left me his son-in-law Jeffrey as replacement.
Jeffrey worked his way around five or six gardens in town, one for every day of the week, and moved in and out of my life (and garden) for the next fifteen years. He stayed in the nearby township with a wife and children that were either a replacement or an adjunct to the family he had left behind in Malawi – I could never distinguish between facts, stories and gossip in this regard.
Jeffrey seemed to regard all the gardens he worked in as somehow connected and when he arrived at my house with a gardening tool “on loan” from someone else or a plant cutting taken from a neighbour’s garden, I never asked too many questions.
I suppose you could have called Jeffrey an involved gardener. He was no passive labourer just following directions. If an avocado pip sprouted on the compost heap, he would pot it and nurse it until it was ready for planting, whether that was actually part of your plan or not. If you left a new plant unattended in its nursery bag somewhere in the garden, you would come back to find it planted exactly there, whether that was the final position you wanted it or not. Every year I had to ask him not to rake the leaves from the lawn, but to leave them to break down as natural lawn feed, but come next autumn he would start raking the leaves again.
But Jeffrey took his streak for creative gardening one step too far when he decided to do something about the bare patches in my front lawn.
I had seen him arrive earlier that morning, but was just gathering momentum with a new painting, so I only went out at nine to give him his tea and sandwiches. But Jeffrey was nowhere to be seen. I put his food out of reach of the dogs and returned to my painting. Not long afterwards the bell at my front gate rang, sparking a frenzied barking from my dogs. I went out to find two police vehicles at my gate. On the back of the one was a very embarrassed and sheepish-looking Jeffrey, together with my wheelbarrow filled with turf rolls.
Did I, the senior officer wanted to know, instruct my gardener to steal these rolls of lawn?
My anger and indignation were profound. Barefoot, in my painting clothes, with a paintbrush still clutched in my hand, I accompanied the police officers to the local station to give a statement of my innocence. They listened to my protestations with stoic indifference.
Not only had my intrepid gardener stolen turf to transplant into my garden, but he had apparently taken the turf from no less a place than the lawn outside the church just a block away from where I lived. Was I absolutely sure that it wasn’t on my instructions? Suffice it to say that after I had signed the statement and walked the kilometre or more home (still barefoot and bepainted), I was not feeling friendly towards my gardener.
And yet Jeffrey stayed on, planting, weeding, watering, mowing, in the eternal love-hate relationship of master and man that was (and often still is) so typical in South Africa.
I had a garden in Africa and I had a gardener in Africa. But that was in another country and besides, the wench is dead**.
As a gardener myself these days, I often think of Jeffrey and I have a better understanding of his tendency towards “creative” gardening. But do not worry, your lawn is perfectly safe with me.
* Karen Blixen (Out of Africa)
** TS Eliot (Portrait of a Lady)
Painting for me is a purely hands-on process. No matter the bright ideas and elaborate planning prior to taking up the brush, the finished product rarely has any association with the original concept. Quite often I just have to start something and let it develop on its own, even if it involves deconstruction of the whole image at some stage. It often does.
In this series of photos, taken during the creation process of a recent painting, there are only vague suggestions of the final painting in the first few brush strokes. I may even have lost a potentially good work of art somewhere around photo number three. So be it. I cannot determine the creative process. I just have to let it happen.
Beauty makes me crazy. It holds me, it enfolds me. It crushes and smothers me. Beauty feeds me, but it also consumes me. Whether visual, auditory or literary (even linguistically), I can go mad from beauty as from an intoxicating potion.
Beauty can induce feelings of awe and helplessness, an intimation that you are tremendously small and insignificant in the face of such aesthetic truth. Maybe it is the small flame of madness at the heart of all creativity – individuals driven to their art for the sake of sanity. Because if you don’t try to process and assimilate it, beauty will burn you up.
In an English fairy tale the girl Janet falls in love with a young man called Tamlane (or Tam Lin) who is under a spell from the Queen of Fairies. In order to break the spell, she has to grab hold of him as he rides past with the fairies. He warns her that he will be turned into all kinds of horrors but she is not to let go, as she will not come to any harm. Tamlane is transformed into a snake, a swan with beating wings, a lion and eventually into a burning coal. Janet throws the coal into the water, upon which her lover resumes his human form.
If the artist, having found her aesthetic passion, is brave enough to hold onto it, to grab it by the tail feathers, the slithery scales, the burning flames, she might be able to expose its true form. Out of the flames some realisation may come, some love.
Beauty makes me crazy. A butterfly, a bloom, an elephant, a flute sonata, a symphony, a warbling bird, a sea, a cloud, a painting. I go weak. Weak in the presence of beauty.